shot at Studio Altius a while back...
this was a capture that was a gift of sorts. I was walking between sets, she was posing for a group of photogs, and as I made my way gingerly between the light stands, the cords, the stuff, I stopped and she looked directly at me...and I got off two snaps of the shutter. I was not on the strobe trigger and just had the ambient light of the modelling lights to work with. The light in the background was for another shooting set up that was going on. This one had the "look"
I love it when things come together....
zona has some great tats. chemically relevant signage for two life altering substances, caffeine and nicotine.
a photo from me
Taken at a transportation museum in Duluth GA
Quotes...sayings...words to hang by a thread on....
Expose for the shadows, develop for the highlights!
Friday, August 31, 2012
rain...
it is raining and I am NOT prepared to shoot in this condition...have to think...think I will put so time into my journal, organize it better. Do my reading, I am current but staying ahead of the curve is always good.
Look over the photos I have taken just to see what I might have to re-shoot.
sipped my optical drive back on an RMA today. bummer, it would not work consistently since two weeks ago. and it would not lightscribe at all!
What is Lightscribe you ask? here is a cut and paste from their web site: http://www.lightscribe.com/gettingstarted/index.aspx?id=95
LightScribe is an innovative technology that uses a special disc
drive, special media, and label-making software to burn labels directly
onto CDs and DVDs.
Because the labels are laser-etched—not printed—there's no ink, no smudging, and no peeling.
Your labels can be whatever you want them to be. Create one-of-a-kind designs with your own photos, text, and artwork using your label-making software. Or choose from the many free backgrounds the software provides. You may also visit LightScribe's Design Center for free downloadable designs.
Once you create your design, be sure to follow these three steps:
Still have questions? Visit our LightScribe Toolbox.
====================================================================
I have ben using it for about three years now, started with a WIN based PC and recently after I moved into full MAC, I got Lightscribe capable optical drives to continue this method for creating media for clients, friends and myself.
Look over the photos I have taken just to see what I might have to re-shoot.
sipped my optical drive back on an RMA today. bummer, it would not work consistently since two weeks ago. and it would not lightscribe at all!
What is Lightscribe you ask? here is a cut and paste from their web site: http://www.lightscribe.com/gettingstarted/index.aspx?id=95
WHAT LIGHTSCRIBE IS
A WHOLE NEW WAY TO LABEL YOUR DISCS
Because the labels are laser-etched—not printed—there's no ink, no smudging, and no peeling.
Your labels can be whatever you want them to be. Create one-of-a-kind designs with your own photos, text, and artwork using your label-making software. Or choose from the many free backgrounds the software provides. You may also visit LightScribe's Design Center for free downloadable designs.
Once you create your design, be sure to follow these three steps:
- Burn your data (music, photos, video, etc.) in the LightScribe drive.
- When your data burning is complete, open the drive and flip the disc over.
- Burn your LightScribe label. Remember, the same drive that burns your data burns your label, too.
Still have questions? Visit our LightScribe Toolbox.
====================================================================
I have ben using it for about three years now, started with a WIN based PC and recently after I moved into full MAC, I got Lightscribe capable optical drives to continue this method for creating media for clients, friends and myself.
Thursday, August 30, 2012
danger danger, ...danger will robinson, danger!
Do you drive? Do you take photos? Do you drive and take photos?
As stupid as that premise sounds, I did just that a bit today. Mostly I shot while stopped and stationary. I rarely looked thru the viewfinder. I just held up a D300 with Zeiss MF 35mm attached, it was focused at infinity. I had to accept the shutter and aperture I set as this lens has no electronics to allow auto anything for the most part.
As I approached things, common intersections, etc. I recorded in still [no video for my tastes] format a bit of my life today. Where I went, where I stopped, whom and what I passed by. And as I approached my home after my errands, I popped a short series of shots as I slowly entered my domain.
Once I get them post processed, [knowing many will be poorly exposed, poorly cropped, I think I pointed to the sky too much....bad aim, as I am out of practice with no viewfinder shooting, something I did a lot in my youth, great for crowd or parade shooting. It does take practice though.
It was not meant to be works of art as much as a record of what a day in a life of Doug might look like.
So next post should provide you with a brief glimpse of "dgh doing his thang' on a Thursday!"
I used the D300 due to its sturdy nature as opposed to my newer D7000 a light and nimble unit. the D300 is heavier and my shoulder feels the affect now that I am home and eating lunch and typing this entry. In fact I think I need a nap now. Older people do that you know.......
zzzzzzzzzzzzzzzz
As stupid as that premise sounds, I did just that a bit today. Mostly I shot while stopped and stationary. I rarely looked thru the viewfinder. I just held up a D300 with Zeiss MF 35mm attached, it was focused at infinity. I had to accept the shutter and aperture I set as this lens has no electronics to allow auto anything for the most part.
As I approached things, common intersections, etc. I recorded in still [no video for my tastes] format a bit of my life today. Where I went, where I stopped, whom and what I passed by. And as I approached my home after my errands, I popped a short series of shots as I slowly entered my domain.
Once I get them post processed, [knowing many will be poorly exposed, poorly cropped, I think I pointed to the sky too much....bad aim, as I am out of practice with no viewfinder shooting, something I did a lot in my youth, great for crowd or parade shooting. It does take practice though.
It was not meant to be works of art as much as a record of what a day in a life of Doug might look like.
So next post should provide you with a brief glimpse of "dgh doing his thang' on a Thursday!"
I used the D300 due to its sturdy nature as opposed to my newer D7000 a light and nimble unit. the D300 is heavier and my shoulder feels the affect now that I am home and eating lunch and typing this entry. In fact I think I need a nap now. Older people do that you know.......
zzzzzzzzzzzzzzzz
Tuesday, August 28, 2012
Es ist so heiß heute!
Auf Deutsch
I have forgotten most all of the German language that I knew as time and lack of practice has taken that skill far from my memory banks.
I was wondering where that nice cool and cloudy weather went, as I awoke and looked at the day. My first day of really having to produce photog on demand. There is nothing tougher at times to produce work when you treat it as an art form and you might not be as inspired as you would like.
I had a plan at least. Get in the truck and drive. That would make me find locations and spots to shoot at. The wasting of petro would hopefully be enough of an incentive along with the love of photog, and the absolute necessity of getting the work done for class on Wednesday!
A park, it proved to be a good starting point. The juices were flowing. Then a long lag, so stop for a quick lunch on the run, NO SPICY CHICKEN! they say at the Wendy's...my favorite sandwich there.
So a grilled chicken, no fries, and a water, on we go.
Then to an inside location, the mid day sun and heat was not supporting my fat butt traipsing around lugging the camera, tripod, WB tools and note pad I was using.
This is one sturdy and dependable tripod, but it is not Carbon fiber, so it weighs like it looks.
I grab additional shots along the way besides the specific assignment shots. I hope this is OK, we will find out come 8/29 between 10 and 1, won't we!
My new [relatively new, I got it in May] optical drive for my Mac Mini crapped out on me last Thrs. And after a weekend of trying to get it to work, I call the seller and their tech support is trying to help, and while waiting for them, I stick in a DVD and it WORKS!. Nothing of note was done, no changes, no adjustments, NOTHING, it just starts working. I grab a music CD and it works, and another DVD...it works. I just slink away, feeling bad, but it DID NOT WORK for four days, trying it many many times, honestly! I hate it in that I will not have much confidence in the unit, it might happen again, like the day after the warranty expires.
But for now it works. "Move on!", that little man on my shoulder says quietly in my ear.
I have forgotten most all of the German language that I knew as time and lack of practice has taken that skill far from my memory banks.
I was wondering where that nice cool and cloudy weather went, as I awoke and looked at the day. My first day of really having to produce photog on demand. There is nothing tougher at times to produce work when you treat it as an art form and you might not be as inspired as you would like.
I had a plan at least. Get in the truck and drive. That would make me find locations and spots to shoot at. The wasting of petro would hopefully be enough of an incentive along with the love of photog, and the absolute necessity of getting the work done for class on Wednesday!
A park, it proved to be a good starting point. The juices were flowing. Then a long lag, so stop for a quick lunch on the run, NO SPICY CHICKEN! they say at the Wendy's...my favorite sandwich there.
So a grilled chicken, no fries, and a water, on we go.
Then to an inside location, the mid day sun and heat was not supporting my fat butt traipsing around lugging the camera, tripod, WB tools and note pad I was using.
This is one sturdy and dependable tripod, but it is not Carbon fiber, so it weighs like it looks.
I grab additional shots along the way besides the specific assignment shots. I hope this is OK, we will find out come 8/29 between 10 and 1, won't we!
My new [relatively new, I got it in May] optical drive for my Mac Mini crapped out on me last Thrs. And after a weekend of trying to get it to work, I call the seller and their tech support is trying to help, and while waiting for them, I stick in a DVD and it WORKS!. Nothing of note was done, no changes, no adjustments, NOTHING, it just starts working. I grab a music CD and it works, and another DVD...it works. I just slink away, feeling bad, but it DID NOT WORK for four days, trying it many many times, honestly! I hate it in that I will not have much confidence in the unit, it might happen again, like the day after the warranty expires.
But for now it works. "Move on!", that little man on my shoulder says quietly in my ear.
sad news to the photog world ...
http://news.yahoo.com/burning-monk-photographer-malcolm-browne-dies-113859533.html
the article from Yahoo news:
Browne, who died Monday at a New Hampshire hospital at age 81, recalled in a 1998 interview that that was the beginning of the rebellion, which led to U.S.-backed South Vietnamese President Ngo Dinh Diem being overthrown and murdered, along with his brother, Ngo Dinh Nhu, the national security chief.
"Almost immediately, huge demonstrations began to develop that were no longer limited to just the Buddhist clergy, but began to attract huge numbers of ordinary Saigon residents," Browne said in the interview.
The plot — by a cabal of generals acting with tacit U.S. approval — was triggered in part by earlier Buddhist protests against the pro-Catholic Diem regime. These drew worldwide attention when the monk set himself afire in protest as about 500 people watched.
The burning monk photo became one of the first iconic news photos of the Vietnam War.
In the 1998 interview, he said that he "never took that seriously" but that when South Vietnam government agents tried to arrest his wife, who had angered officials by quitting her information ministry job, Browne stared them down by standing in his doorway brandishing a souvenir submachine gun.
Tall, lanky and blond, Browne was a cerebral and eccentric character with a penchant for red socks — they were easy to match, he explained — and an acerbic wit befitting his grandfather's cousin, Oscar Wilde.
He ridiculed the word "media," for example, as "that dreadful Latin plural our detractors use when they really mean "scum."
Overall, associates saw him as complex, rather mysterious, and above all, independent.
By 1965, impressed by how television appeared to be dominating the public discourse, the reporter who had never owned a TV set left the AP to join ABC News in Vietnam.
Browne quit ABC after a year over management questions.
After a venture into magazine writing, Browne joined The New York Times in 1968. He worked in Latin America, Eastern Europe and Asia, left again to edit a science magazine, and returned to the Times in 1985, mainly as a science writer. He also covered the 1991 Gulf War, again clashing with U.S. officials over censorship issues.
___
the article from Yahoo news:
Burning-monk photographer Malcolm Browne dies
By ULA ILNYTZKY | Associated Press – 21 mins ago
Associated
Press - FILE - In this Dec. 14, 1963 file photo, Malcolm Browne, Saigon
correspondent for the Associated Press, poses in front of his photo of a
Vietnamese Buddhist monk's fiery suicide after the …more
NEW
YORK (AP) — The phone calls went out from Saigon's Xa-Loi Buddhist
pagoda to chosen members of the foreign news corps. The message: Be at a
certain location tomorrow for a "very important" happening.
The
next morning, June 11, 1963, an elderly monk named Thich Quang Duc,
clad in a brown robe and sandals, assumed the lotus position on a
cushion in a blocked-off street intersection. Aides drenched him with
aviation fuel, and the monk calmly lit a match and set himself ablaze.
Of the foreign journalists who had been alerted to the shocking political protest against South Vietnam's U.S.-supported government, only one, Malcolm Browne of The Associated Press, showed up.
The
photos he took appeared on front pages around the globe and sent
shudders all the way to the White House, prompting President John F.
Kennedy to order a re-evaluation of his administration's Vietnam policy.
"We have to do something about that regime," Kennedy told Henry Cabot Lodge, who was about to become U.S. ambassador to Saigon.Browne, who died Monday at a New Hampshire hospital at age 81, recalled in a 1998 interview that that was the beginning of the rebellion, which led to U.S.-backed South Vietnamese President Ngo Dinh Diem being overthrown and murdered, along with his brother, Ngo Dinh Nhu, the national security chief.
"Almost immediately, huge demonstrations began to develop that were no longer limited to just the Buddhist clergy, but began to attract huge numbers of ordinary Saigon residents," Browne said in the interview.
Browne was
diagnosed with Parkinson's disease in 2000 and spent his last years
using a wheelchair to get around. He was rushed to the hospital Monday
night after experiencing difficulty breathing, said his wife, Le Lieu Browne, who lives in Thetford, Vt.
Browne
spent most of his journalism career at The New York Times, where he put
in 30 years of his four decades as a journalist, much of it in war
zones.
By his own account,
Browne survived being shot down three times in combat aircraft, was
expelled from half a dozen countries and was put on a "death list" in
Saigon.
In 1964, Browne, then an AP correspondent, and rival Times
journalist David Halberstam both won Pulitzer Prizes for their
reporting on the conflict in Vietnam. The war had escalated because of
the Nov. 1, 1963, coup d'etat in which Diem was killed.The plot — by a cabal of generals acting with tacit U.S. approval — was triggered in part by earlier Buddhist protests against the pro-Catholic Diem regime. These drew worldwide attention when the monk set himself afire in protest as about 500 people watched.
The burning monk photo became one of the first iconic news photos of the Vietnam War.
"Malcome
Browne was a precise and determined journalist who helped set the
standard for rigorous reporting in the early days of the Vietnam War," said Kathleen Carroll, AP executive editor and senior vice president. "He was also a genuinely decent and classy man."
Malcolm
Wilde Browne was born in New York on April 17, 1931. He graduated from
Swarthmore College in Pennsylvania with a degree in chemistry. Working
in a lab when drafted in 1956, he was sent to Korea as a tank driver,
but by chance got a job writing for a military newspaper, and from that
came a decision to trade science for a career in journalism.
He worked first for the Middletown Daily Record in New York, where he worked alongside Hunter S. Thompson, author of "Fear and Loathing in Las Vegas."
Browne then worked briefly for International News Service and United
Press, the forerunner of United Press International, before joining the
AP in 1960. A year later, the AP sent him from Baltimore to Saigon to
head its expanding bureau.
There, he became a charter member of a small group of reporters covering South Vietnam's U.S.-backed military struggle against the Viet Cong, a home-grown communist insurgency.
Within
the year he was joined in Saigon by photographer Horst Faas and
reporter Peter Arnett. By 1966, all three members of what a competitor
called the AP's "human wave" had earned Pulitzer Prizes — one of
journalism's highest honors — for Vietnam coverage.
Writing
about official corruption and military incompetence, the group — which
also included the Times' Halberstam, Neil Sheehan of UPI, Charles Mohr
of Time magazine, Nick Turner of Reuters and others — were accused by
critics in Vietnam and Washington of aiding the communist cause.
At
one news briefing, Browne's persistent questions prompted an
exasperated U.S. officer to ask, "Browne, why don't you get on the
team?"
Browne, like some of
his peers, initially saw the U.S. commitment to helping the beleaguered
Saigon government as a reasonable idea.
In his 1993 memoir, "Muddy Boots and Red Socks," Browne said he "did not go to Vietnam
harboring any opposition to America's role in the Vietnamese civil war"
but became disillusioned by the Kennedy administration's secretive
"shadow war" concealing the extent of U.S. involvement.
Amid the
furor over tendentious coverage, some reporters claimed to have received
death threats, and Browne said his name was among those on a list of
"supposed enemies of (South Vietnam) who had to be eliminated."In the 1998 interview, he said that he "never took that seriously" but that when South Vietnam government agents tried to arrest his wife, who had angered officials by quitting her information ministry job, Browne stared them down by standing in his doorway brandishing a souvenir submachine gun.
Tall, lanky and blond, Browne was a cerebral and eccentric character with a penchant for red socks — they were easy to match, he explained — and an acerbic wit befitting his grandfather's cousin, Oscar Wilde.
He ridiculed the word "media," for example, as "that dreadful Latin plural our detractors use when they really mean "scum."
Overall, associates saw him as complex, rather mysterious, and above all, independent.
"Mal
Browne was a loner; he worked alone, did not share his sources and
didn't often mix socially with the press group," recalled Faas, who died
in 2012. "And stubborn — he wouldn't compromise on a story just to
please his editors or anyone else."
Browne wrote a 1965 book, "The New Face of War," and a manual for new reporters in Vietnam.
Among its kernels of advice: Have a sturdy pair of boots, watch out for
police spies who eavesdrop on reporters' bar conversations, and "if
you're crawling through grass with the troops and you hear gunfire,
don't stick your head up to see where it's coming from, as you will be
the next target."
South Vietnamese officials censored early news
reports but to mixed effects. At least once, Browne sent a story to the
AP by surreptitiously taping a handwritten note over an innocuous photo
being transmitted to Tokyo.By 1965, impressed by how television appeared to be dominating the public discourse, the reporter who had never owned a TV set left the AP to join ABC News in Vietnam.
Browne quit ABC after a year over management questions.
After a venture into magazine writing, Browne joined The New York Times in 1968. He worked in Latin America, Eastern Europe and Asia, left again to edit a science magazine, and returned to the Times in 1985, mainly as a science writer. He also covered the 1991 Gulf War, again clashing with U.S. officials over censorship issues.
In
addition to his wife, survivors include a son, Timothy; a daughter,
Wendy, from a previous marriage; a brother, Timothy; and a sister,
Miriam.
Browne will be buried on the family's property in Vermont, his widow said.___
Former Associated Press writer Richard Pyle contributed to this report.
Sunday, August 26, 2012
I travelled for work for 13 plus years, so it is..
I found the "moments Alone" series by Julieanne Kost particularly relevant for me. My life between 1996 and 2009 was just that....Many of the scenes I saw each time I flew to my destination each week. Back and forth ...sometimes for 19 straight months to the same location.
When TWA was alive and well, and I had the classification of "God Status" as it was called when you were at the top tier of frequent flier category with them, travel was a pleasure and at times a joy.
then TWA went away, and American took over my life line of travel. The fun started draining away. Then 9/11 happened and life really changed. The list of things happening and impacting air travel, being a consultant, etc. grew and the results lead to a fight to survive. Finally in 2009 it all ended as 5,000 of us were sent home never to be asked to travel in the name of BIG BLUE again.
the music, the loneliness shown in many of the photos, the grandeur in others and the mood cast by Ms. Kost's two offerings brings back those memories for me. It is truly a bittersweet time. The effort allowed me to put two kid's thru college debt free. And create a life style that was comfortable for us all. Now in retirement, I find new things must replace that effort.
Today is a great day, cause I get to take PICTURES!
When TWA was alive and well, and I had the classification of "God Status" as it was called when you were at the top tier of frequent flier category with them, travel was a pleasure and at times a joy.
then TWA went away, and American took over my life line of travel. The fun started draining away. Then 9/11 happened and life really changed. The list of things happening and impacting air travel, being a consultant, etc. grew and the results lead to a fight to survive. Finally in 2009 it all ended as 5,000 of us were sent home never to be asked to travel in the name of BIG BLUE again.
the music, the loneliness shown in many of the photos, the grandeur in others and the mood cast by Ms. Kost's two offerings brings back those memories for me. It is truly a bittersweet time. The effort allowed me to put two kid's thru college debt free. And create a life style that was comfortable for us all. Now in retirement, I find new things must replace that effort.
Today is a great day, cause I get to take PICTURES!
7 is a supposedly a very lucky number!
FROM THE LEADER of our merry band of photogs: KATE!
"Stan’s Seven Deadly ?’s Here are a few brain teasers that were
presented to me by one of my professors. Feel free to expand upon these questions
in your journal if you need some ideas to get the ball rolling..."
Stan is the photography mentor of K.M. Sanker....
•What is your personal definition of photography?
dgh replies: for me it is the science and technical aspects of
using a device to create in an artistic manner something.... on a medium of choice [film, digital, etc.]. Capturing a moment in time, nay a decisive moment!, a location, a view point... showing the
light, the mood, and the soul of the subject so that the viewer can be given
the pleasure of that moment.... without having been there.
•What is the difference between a snapshot & a photograph?
dgh replies: for me a snap
shot is the result of taking a photo for the sake of capturing the subject
matter at a specific moment without thought or effort to render that capture in
either a technically competent or artistic manner. Snapshot is more for the sake of the event...It happened and this is the proof.
For me "A photograph" is my attempt at artistic effort, a result of skill, execution
of thought and actions, which result in an output that has visible emotion
built within its frame work.
•What is a cliché?
dgh replies: to me a cliché
is a scene that depicts subject matter engaged in an activity or position or
pose or appears in a manner which the general public has either been taught or
fooled or falsely perceives that this is how that SHOULD be given the subject
and circumstances. It can be either for
good or bad reason, can be favorable or unfavorable, but it is the concept of
expectations being met by the parties involved.
The message being sent is weak and does not present itself as a dynamic
force due to its overused approach of sending such message. The end result being the opposite of a fresh
and new approach on a theme or presentation of a subject matter. Relationships shown are typical, expected, a sense of NORM.
Name 20
1.
Boy and his dog
2.
Girl and her cat
3.
Mother with her baby
4.
Father playing ball with son
5.
Girl playing with her dolls
6.
Boy playing in dirt /mud
7.
Strong man on the beach flexing his muscle
8.
Person with glasses reading a book
9.
Keystone cop routine, the bumbling actions of
policemen
10. Woman with flowers
11. Cook or chef with a large knife or cleaver
12. Auto mechanic with grease on his face
13. Poor people shown as obviously dirty, poorly dressed with bad
teeth
14. Clowns with balloons
15. College professor with seersucker jacket with elbow patches and
smoking a pipe
16. Curvy model in a tight small bikini draped over a shiny vehicle
at an auto show [yes heard that in class, but classic!]
17. American Indians shown in a head dress and historic outfit
18. Italian American dressed in silk striped suit and slicked back
hair [Mafioso style]
19. Fast cars with RED paint
[where did I park my Ferrari?]
20. Teachers asking for a list of twenty things went nineteen would
have done quite well, thank you very much!
•What is the most important thing in your life?
dgh replies: tough to
decide between family and health, as each feeds off and to each other. Wife, kids, grandkids, and all of our health to maintain and support our being and existence and happiness.
•What is your greatest strength/weakness?
dgh replies: in general, my
strength is my passion for my beliefs and ability to plan, implement and manage
things. This is also a huge weakness as
I tend to apply these concepts to things others have no desire to see brought
under such control and direction. My tendency to be specific and detailed can be both favorable and frustrating...for two very different reasons.
•What is your greatest strength/weakness as a photographer?
dgh replies: Strength: I have been a student of photography for a
long time, I have either tried it or thought about it or bought it at one
time.
Weakness: I do not get any
where near enough practice shooting and establishing “muscle reflex” in terms
of photography as well as I wish I had. I desire more consistency of attention to detail when shooting, I KNOW what should be done much of the time, I must find a way to DO WHAT I KNOW more of the time.
•Where would you like to be as a photographer?
dgh replies: As a viable
professional Photog owning and operating his own studio for portraits and fine art
black and white production. The output from this would be a place that people would want to come to and seek out my services again and again.
•What is keeping you from getting there?
dgh replies: FAME and Fortune?
MONEY! I believe I need a studio to truly succeed, I have rented space before
and got a taste, and loved it [STUDIO 314 in downtown area, rented space as
part of the resident artist program in 2011 from October to the end of
December, shooting with many models of all shapes, sizes, ages and back
grounds.] The continuation of a rental
program was not practical as they changed their pricing and policies that made
it less than cost effective after Dec. 31, 2011
•Complete the following sentence until you run out of things to
say:
"If I could make a set of photographs, they
would.............."
dgh replies: … they
would”…..BE Portraits, for sure, and
most likely Black and White as this is my true passion. And possibly with a constant theme of some
sort though this is NOT in my head as to what that might be at this time. I just love taking pictures of people,
capturing in their eyes and face, which they might be to the rest of the
world. Allowing the viewers to share
with them who they are, at least from a photo’s point of view.
There are questions to be answered I am told!
Let this be my stance and reply to these:
Let this be my stance and reply to these:
Discuss journal & blog
o what is art?
·
For me art is anything [and I mean anything that I can currently think of or imagine...] that a person
produces with their own hands, or feet or in general a body part using any form
of medium to create something that can stimulate the mind when viewed, touched,
or in general sensed. Naturally the more
traditional methods such a painting, sculpture, etc. produce more profound
results and are more likely to be accepted as art for public consumption,
rather than just the artist.
o what is photography?
·
Use of scientific/technological methods to record a subject
matter on a medium [which means just about any known form that either has been
used or can be used to produce a piece of work, film, glass, digital, silver, etc...]
from which a production of output is created to be viewed. Artistic application of method, capture or
production withstanding is not critical but is a very important part of the
acceptability of the work for others grading
o what is digital photography?
·
The same as above with the restrictive statement of using a
medium that is directly related to the technology as it is or might be
digitized in the work flow process. Gosh this is too much double speak, zeros and ones are the basis for its foundation....as opposed to a chemical or organic one.
o do photographs lie?
·
THEY CAN... In terms of what we think we saw or see.....Absolutely, as the subject and its critical action might be
captured, the fleeting moment may produce an image that is typically unseen by
the human eye in the normal course of business, but that viewpoint casts an
impression that can be so very far from the truth of that action at that very
instantaneous time frame. But consider that in reality they actually tell the absolute truth as to what was at that precise moment....it is our human translation in viewing that moment that causes the conflict, what is or was vs what we see or sense from it.
o how far is it okay to take the manipulation of an image?
·
For me that depends on the intent of the post production
effort, if a client is involved and that is what is required to produce the
work they need, then absolutely. If it
is the work to go on the front page of a newspaper, then not likely, as the
truth and accurate representation of that subject matter in that critical
moment should be maintained as it was.
·
The artistic use of post production manipulation can be
stunning, in the sense that it is another form of art. It might not be meant to be any form of
realism and should not be judged as such.
·
Showing your work in judged venues. There are many strict rules in clubs and
organizations that control these uses in many of the categories. You need to choose to play by the rules of
the category if you intend to
participate in any photo shows or contests for instance.
o is it okay to appropriate images?
·
I am not a big fan of allowing this, it is too easy and
there are way too many bad people out there, but given the state of things
today, I do not see any reasonable manner in which to control it very well
Saturday, August 25, 2012
The shoot on Friday went well, one minor equipment glitch, a strobe was not triggering but it was never solved as to source of the problem, we quickly exchanged out, new chord, new trigger device due to time constraints. Have to remember to get out all these things to test them thoroughly.
I would like to break rank today in that I want to talk about another of my passions, music!. I like to listen to and collect music. Back in a day, I had a decent enough of an album collection, but an incident of water damage ruined 99% of my collection. So I built up my Cd collection, and once the digital world and iTunes arrived in my life. I went over to the dark side. I know have approximately 12, 636 individual songs or files, which takes up about 192 GB and is estimated at 33 plus days of listening non-stop. I have one friend [a former co-worker] who has a collection that dwarfs mine, he is my mentor in collecting music.
I am always on the lookout for new talent. Being of the 60's and 70's era in terms of growing up with the classic rock genre, I struggle with much of the music of today. There are decent enough "new" talent out there, but I do not regularly expose myself to those pathways to get enough experience to find them ...so few ever make my list.
To counteract this, I am downloading the weekly iTunes new/Free songs that comes out each Tuesday. This forces me to listen and collect more current offerings. Most are worthy saves, some are not, and if they do not fit MY tastes they are not downloaded.
I fine TV shows are upping the ante as far as soundtracks. And shows like David Letterman [I am a Letterman fan and DO NOT WATCH JAY, ever even when he has a guest that I particularly like.] So when the mood strikes me, I will note down the music and research the show for what the artist and song might be and see if it is available or if I have it. I create a play list to emulate this shows offering. Memphis Beat [now cancelled] is a perfect example. They actually published their weekly song lists on their web site and I tried to collect them. I found several offering were specifically created for the show by artist and were not issued on digital or other recorded media for purchase.
I have done this for several years, this listen and learn method of finding new music. It is how I found Amy Winehouse a few years back. What a wonderful talent and a sad story with the tragic ending of her life recently. I heard a voice on Letterman the other night that reminded me of her. Her name: Elle King. She is the daughter of Rob Schneider. a goof ball of an comedic actor in my opinion. But this woman has a very distinctive voice. Her appearance on Letterman was stellar [not always the case for many the act. The nerves seem to catch some folks I suppose.
So my new artist for the week is crowned "ELLE KING!" I will be following her music, getting some as the time and money allow. I do tend to cherry pick my songs, rather than buying whole albums. Unless I find it at the Library, and there it is all free for the taking, in terms of importing music to your personal iTunes library. Isn't life grande?!
I would like to break rank today in that I want to talk about another of my passions, music!. I like to listen to and collect music. Back in a day, I had a decent enough of an album collection, but an incident of water damage ruined 99% of my collection. So I built up my Cd collection, and once the digital world and iTunes arrived in my life. I went over to the dark side. I know have approximately 12, 636 individual songs or files, which takes up about 192 GB and is estimated at 33 plus days of listening non-stop. I have one friend [a former co-worker] who has a collection that dwarfs mine, he is my mentor in collecting music.
I am always on the lookout for new talent. Being of the 60's and 70's era in terms of growing up with the classic rock genre, I struggle with much of the music of today. There are decent enough "new" talent out there, but I do not regularly expose myself to those pathways to get enough experience to find them ...so few ever make my list.
To counteract this, I am downloading the weekly iTunes new/Free songs that comes out each Tuesday. This forces me to listen and collect more current offerings. Most are worthy saves, some are not, and if they do not fit MY tastes they are not downloaded.
I fine TV shows are upping the ante as far as soundtracks. And shows like David Letterman [I am a Letterman fan and DO NOT WATCH JAY, ever even when he has a guest that I particularly like.] So when the mood strikes me, I will note down the music and research the show for what the artist and song might be and see if it is available or if I have it. I create a play list to emulate this shows offering. Memphis Beat [now cancelled] is a perfect example. They actually published their weekly song lists on their web site and I tried to collect them. I found several offering were specifically created for the show by artist and were not issued on digital or other recorded media for purchase.
I have done this for several years, this listen and learn method of finding new music. It is how I found Amy Winehouse a few years back. What a wonderful talent and a sad story with the tragic ending of her life recently. I heard a voice on Letterman the other night that reminded me of her. Her name: Elle King. She is the daughter of Rob Schneider. a goof ball of an comedic actor in my opinion. But this woman has a very distinctive voice. Her appearance on Letterman was stellar [not always the case for many the act. The nerves seem to catch some folks I suppose.
So my new artist for the week is crowned "ELLE KING!" I will be following her music, getting some as the time and money allow. I do tend to cherry pick my songs, rather than buying whole albums. Unless I find it at the Library, and there it is all free for the taking, in terms of importing music to your personal iTunes library. Isn't life grande?!
Thursday, August 23, 2012
I had a [hopefully] successful shoot today. I was commissioned to update the staff and group shots for a web site for a company at three locations. I completed one site today, another is set for tomorrow and the last site TBD as to date.
I have shot at this site previously so I knew the area, and the problems and advantages of the site. I brought and set up three strobes the main and fill with umbrella's that I shot thru and a hair light with softbox to punch up the tops of the heads.
Given the amount of equipment employed, I hired an assistant for today as well as tomorrow. I cannot tell you how grateful I am to have a strong backed, dependable individual to be present. He caught on to my attention to detail during the shoot and pointed out that a button on a Chef jacket was not properly buttoned, and saved an embarrassment if this had not been corrected for the capture shots for that individual.
I brought along my laptop and loaded the shots into LR4 and showed them to those of the group [there were seven people] that wanted to make sure they had acceptable results. I was prepared to re-shoot anyone that required it. We found of the 6 shots per person I did, each person had one or more that could be used. I shot each person in three basic poses with two pops per pose to hopefully capture the right facial expression.
I tend to shoot a lot of individual people shots, as I really like doing this and find that some folks just cannot relax in front of a camera. In this group there were two such people and it showed in the frames, a tense mouth, the distant eye look, or the clenched jaw. Not much you can do when the individual just cannot find a way to embrace the moment.
Given the pressure of being in front of peers, and a boss or two adds to the stress. I do what I can to relax the person, trying several different techniques to put the person at ease. But the background chatter from the peanut gallery [co-workers], overrides my efforts on this occasion.
When you have a task and it means a deadline and time table and the client wants you to do something and then get out of their way ASAP, you find that cutting your losses is the best tactic.
I learn from each session, trying new and different approaches to helping a tense or nervous subject to perform better while in front of the lens. When I have the time and freedom to roam and capture things ad hoc, I find it is easy to get my shot. It is a manner of stalking, but being spy like in the approach. Being six foot five and on the very large end of a scale, it is a bit of a challenge for me to hide, but I do. Using the right lens, and settings support the stealthiness of my actions. Flash is not an option is such game plans, so the newer bodies and sensors that allow iso 3200 [have one, and love it!] as a more than acceptable setting, make quick work of low lit scenes.
So today is about confirmation. What do I know? I know how to plan and set up a location shoot and take along the right assets to control the lighting quality as I wish it to be. And it is a robust effort and requires me to have HELP! And the other fact is a co-worker can be down right mean to another when a person shows a weakness. Next time, separate those not in the shot from the shooting area. Corral those characters elsewhere, queue them up, and only allow them to be present when it is their turn. I did this during the first shoot for this company back in 2008. The room that was available then is no longer usable for a shoot studio. We must learn to adapt to succeed. And as the conditions and environment changes, we must evolve along with it to continue our path to success.
I need the income, so doing well, and making a customer happy is of paramount concern for me.
A shout out to my assistant, DAVID W.! I call him the chili-dipper master. A personal story for another time.
I have shot at this site previously so I knew the area, and the problems and advantages of the site. I brought and set up three strobes the main and fill with umbrella's that I shot thru and a hair light with softbox to punch up the tops of the heads.
Given the amount of equipment employed, I hired an assistant for today as well as tomorrow. I cannot tell you how grateful I am to have a strong backed, dependable individual to be present. He caught on to my attention to detail during the shoot and pointed out that a button on a Chef jacket was not properly buttoned, and saved an embarrassment if this had not been corrected for the capture shots for that individual.
I brought along my laptop and loaded the shots into LR4 and showed them to those of the group [there were seven people] that wanted to make sure they had acceptable results. I was prepared to re-shoot anyone that required it. We found of the 6 shots per person I did, each person had one or more that could be used. I shot each person in three basic poses with two pops per pose to hopefully capture the right facial expression.
I tend to shoot a lot of individual people shots, as I really like doing this and find that some folks just cannot relax in front of a camera. In this group there were two such people and it showed in the frames, a tense mouth, the distant eye look, or the clenched jaw. Not much you can do when the individual just cannot find a way to embrace the moment.
Given the pressure of being in front of peers, and a boss or two adds to the stress. I do what I can to relax the person, trying several different techniques to put the person at ease. But the background chatter from the peanut gallery [co-workers], overrides my efforts on this occasion.
When you have a task and it means a deadline and time table and the client wants you to do something and then get out of their way ASAP, you find that cutting your losses is the best tactic.
I learn from each session, trying new and different approaches to helping a tense or nervous subject to perform better while in front of the lens. When I have the time and freedom to roam and capture things ad hoc, I find it is easy to get my shot. It is a manner of stalking, but being spy like in the approach. Being six foot five and on the very large end of a scale, it is a bit of a challenge for me to hide, but I do. Using the right lens, and settings support the stealthiness of my actions. Flash is not an option is such game plans, so the newer bodies and sensors that allow iso 3200 [have one, and love it!] as a more than acceptable setting, make quick work of low lit scenes.
So today is about confirmation. What do I know? I know how to plan and set up a location shoot and take along the right assets to control the lighting quality as I wish it to be. And it is a robust effort and requires me to have HELP! And the other fact is a co-worker can be down right mean to another when a person shows a weakness. Next time, separate those not in the shot from the shooting area. Corral those characters elsewhere, queue them up, and only allow them to be present when it is their turn. I did this during the first shoot for this company back in 2008. The room that was available then is no longer usable for a shoot studio. We must learn to adapt to succeed. And as the conditions and environment changes, we must evolve along with it to continue our path to success.
I need the income, so doing well, and making a customer happy is of paramount concern for me.
A shout out to my assistant, DAVID W.! I call him the chili-dipper master. A personal story for another time.
Wednesday, August 22, 2012
yesterday resulted in a site evaluation for a shoot on Friday at one location and a TBD date at another. I did get some test shots in of a product, a special new concept from a high end fridge / freezer maker. The lighting was mixed, the space cramped, and no direct on view to use, the transform tool will be employed in the post of these samples.
class was short today, so I must get home to pack and prep my equipment for the next two days shoots, a combination of group, individual head shots and location capture and that product shot noted above. I do have an able bodied assistant for both days. lights, camera stand, and all the needed items for a successful location shoot will be taken.
good photog assistant help is essential to having enough time and energy to concentrate on the photo aspects and not the physical set up and other such duties.
classmates have dwindled, good and bad, good as more time and attention will be allowed for those still there, but we now will miss the contributions of those departed. learning from others is always a good thing, so to deplete that resource is not the best thing to have happened.
One of the challenges we got for our blog and growth plan within this class, is to weekly pick someone that we wish to share, learn, etc I know of a very talented artist, he specializes in fine art and business portraits locally. I have taken a class with him at his home studio, a magnificent site, in terms of size and space and equipment. His name is Jim Trotter. His web site is
class was short today, so I must get home to pack and prep my equipment for the next two days shoots, a combination of group, individual head shots and location capture and that product shot noted above. I do have an able bodied assistant for both days. lights, camera stand, and all the needed items for a successful location shoot will be taken.
good photog assistant help is essential to having enough time and energy to concentrate on the photo aspects and not the physical set up and other such duties.
classmates have dwindled, good and bad, good as more time and attention will be allowed for those still there, but we now will miss the contributions of those departed. learning from others is always a good thing, so to deplete that resource is not the best thing to have happened.
One of the challenges we got for our blog and growth plan within this class, is to weekly pick someone that we wish to share, learn, etc I know of a very talented artist, he specializes in fine art and business portraits locally. I have taken a class with him at his home studio, a magnificent site, in terms of size and space and equipment. His name is Jim Trotter. His web site is
| http:// | |
| I continue to follow him on Facebook, and his work is amazing. He shoots with Hasselblad digital equipment mostly and puts together the most detailed gigapan pieces. These are made up of thousands of pictures taken while a camera is on a special piece of equipment that moves the camera in a specific pattern to support this task. I do not know much about the actual process, just that the detail in this resulting output is phenomenal. |
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