FROM THE LEADER of our merry band of photogs: KATE!
"Stan’s Seven Deadly ?’s Here are a few brain teasers that were
presented to me by one of my professors. Feel free to expand upon these questions
in your journal if you need some ideas to get the ball rolling..."
Stan is the photography mentor of K.M. Sanker....
•What is your personal definition of photography?
dgh replies: for me it is the science and technical aspects of
using a device to create in an artistic manner something.... on a medium of choice [film, digital, etc.]. Capturing a moment in time, nay a decisive moment!, a location, a view point... showing the
light, the mood, and the soul of the subject so that the viewer can be given
the pleasure of that moment.... without having been there.
•What is the difference between a snapshot & a photograph?
dgh replies: for me a snap
shot is the result of taking a photo for the sake of capturing the subject
matter at a specific moment without thought or effort to render that capture in
either a technically competent or artistic manner. Snapshot is more for the sake of the event...It happened and this is the proof.
For me "A photograph" is my attempt at artistic effort, a result of skill, execution
of thought and actions, which result in an output that has visible emotion
built within its frame work.
•What is a cliché?
dgh replies: to me a cliché
is a scene that depicts subject matter engaged in an activity or position or
pose or appears in a manner which the general public has either been taught or
fooled or falsely perceives that this is how that SHOULD be given the subject
and circumstances. It can be either for
good or bad reason, can be favorable or unfavorable, but it is the concept of
expectations being met by the parties involved.
The message being sent is weak and does not present itself as a dynamic
force due to its overused approach of sending such message. The end result being the opposite of a fresh
and new approach on a theme or presentation of a subject matter. Relationships shown are typical, expected, a sense of NORM.
Name 20
1.
Boy and his dog
2.
Girl and her cat
3.
Mother with her baby
4.
Father playing ball with son
5.
Girl playing with her dolls
6.
Boy playing in dirt /mud
7.
Strong man on the beach flexing his muscle
8.
Person with glasses reading a book
9.
Keystone cop routine, the bumbling actions of
policemen
10. Woman with flowers
11. Cook or chef with a large knife or cleaver
12. Auto mechanic with grease on his face
13. Poor people shown as obviously dirty, poorly dressed with bad
teeth
14. Clowns with balloons
15. College professor with seersucker jacket with elbow patches and
smoking a pipe
16. Curvy model in a tight small bikini draped over a shiny vehicle
at an auto show [yes heard that in class, but classic!]
17. American Indians shown in a head dress and historic outfit
18. Italian American dressed in silk striped suit and slicked back
hair [Mafioso style]
19. Fast cars with RED paint
[where did I park my Ferrari?]
20. Teachers asking for a list of twenty things went nineteen would
have done quite well, thank you very much!
•What is the most important thing in your life?
dgh replies: tough to
decide between family and health, as each feeds off and to each other. Wife, kids, grandkids, and all of our health to maintain and support our being and existence and happiness.
•What is your greatest strength/weakness?
dgh replies: in general, my
strength is my passion for my beliefs and ability to plan, implement and manage
things. This is also a huge weakness as
I tend to apply these concepts to things others have no desire to see brought
under such control and direction. My tendency to be specific and detailed can be both favorable and frustrating...for two very different reasons.
•What is your greatest strength/weakness as a photographer?
dgh replies: Strength: I have been a student of photography for a
long time, I have either tried it or thought about it or bought it at one
time.
Weakness: I do not get any
where near enough practice shooting and establishing “muscle reflex” in terms
of photography as well as I wish I had. I desire more consistency of attention to detail when shooting, I KNOW what should be done much of the time, I must find a way to DO WHAT I KNOW more of the time.
•Where would you like to be as a photographer?
dgh replies: As a viable
professional Photog owning and operating his own studio for portraits and fine art
black and white production. The output from this would be a place that people would want to come to and seek out my services again and again.
•What is keeping you from getting there?
dgh replies: FAME and Fortune?
MONEY! I believe I need a studio to truly succeed, I have rented space before
and got a taste, and loved it [STUDIO 314 in downtown area, rented space as
part of the resident artist program in 2011 from October to the end of
December, shooting with many models of all shapes, sizes, ages and back
grounds.] The continuation of a rental
program was not practical as they changed their pricing and policies that made
it less than cost effective after Dec. 31, 2011
•Complete the following sentence until you run out of things to
say:
"If I could make a set of photographs, they
would.............."
dgh replies: … they
would”…..BE Portraits, for sure, and
most likely Black and White as this is my true passion. And possibly with a constant theme of some
sort though this is NOT in my head as to what that might be at this time. I just love taking pictures of people,
capturing in their eyes and face, which they might be to the rest of the
world. Allowing the viewers to share
with them who they are, at least from a photo’s point of view.
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